news in english

New Rega RP8 Turntable

The Rega RP8 skeletal turntable.
Rega is extremely pleased to announce the launch of the much awaited RP8 turntable. A turntable which takes Rega’s design philosophy further than ever before. A radical new plinth using custom designed materials, a new tonearm bearing assembly, 24v low volt-age motor controlled by a hand tuned electronic power supply and a custom version of our Planar 9 engineered hub bearing assembly. These are just some of the features of this amazing new turntable designed to extract more music from your vinyl than ever before.
The Evolution of Revolution
Evolution is a well proven and documented process in many areas of our lives. This applies in particular to design engineers and machines. Over the past forty years our cars have become more reliable and economical whilst we take for granted the reliability and speed of modern aircraft. Rega is no exception to evolution. Rega’s experience and previous achievements allow us to continually develop and produce better products.

The RP8 represents probably the biggest step forward in the evolution of Roy Gandy’s turntable design philosophies. Low mass, high rigidity plinths combined with electronically controlled low vibration motors, high flywheel effect platters and lower mass higher stability tonearms. The RP8 is the first of our new “skeletal” design turntables offering groundbreaking levels of performance and amazing value for money.

Electrocompaniet: Introducing the new PI 2D Integrated Amplifier

Electrocompaniet is launching a new integrated amplifier with a built-in DAC in the Prelude range. The amplifier is based on the much acclaimed PI 2 amplifier boosting 2 x 100 Watts. You can connect up to 5 digital sources to the PI 2D and get away with fewer boxes and cables. The 24/192 bit DAC and the modern technology in the PI 2D ensure that the music from all your sources will be reproduced with the best possible quality. The PI 2D offers five digital inputs: two Coax, two TOSLink and one USB. Analog sources can be connected by one balanced XLR input and four single ended RCA inputs.This gives a total of 10 inputs!

AURALiC launches VEGA

Norway Oslo AudioDays 2012 - AURALiC launches VEGA - the next generation digital audio processor developed with the goal of 'seeking for non-compromised sound'. With Sanctuary Audio Processor as heart, AURALiC introduces several cutting-edge technology for VEGA: 'Megahertz upsampling' algorithm processes all PCM music to 1.5MHz in 32bit; 'Femto Master Clock' provides an ultimate clock precision with jitter only 82 femtoseconds(0.082 picoseconds). Binding with other AURALiC's patented technologies such as 'ORFEO Class-A module' and discrete 'Purer-Power™ solution', VEGA will bring high resolution music playback experience to climax. VEGA supports all high resolution music formats including DXD(352.8KS/s, 384KS/s in 32bit) as well as DSD stream at 2.8224MHz and 5.6448MHz. Five digital inputs include AES/EBU, Coaxial(set of two), Toslink and USB. The balanced and single-ended analog outputs can connect to power amplifier directly, adjusting volume in digital precision without dynamic loss. VEGA has six built-in filter modes allows its user to customize according to different music formats, tuning sound best to personal preference. "VEGA is an unique design, It not just supports all high resolution music format, but also powerful in its advanced function. It is the approach to real high-end that most enthusiastic audiophile long for", said Xuanqian Wang, "like other creation from AURALiC, the ingenious design of VEGA bringing you enjoyment in both aural and visual".
Suggested retail price: $3,499/ €3,299(incl. VAT)

Cary Audio: Introducing the HH-1 Hybrid Headphone Amplifier!

Cary Audio’s all-new HH-1 headphone amplifier is a stunning achievement in sound quality. Its hybrid design features a tube preamplifier stage followed by a single-ended FET solid-state amplifier, using the best performance features of both technologies combined to give you the most enjoyable listening experience possible. Top quality parts, excellent engineering, beautiful fit and finish, simple to hook up and use in any system configuration, designed and built in the USA, the HH-1 headphone amplifier will give you years of detailed and accurate musical reproduction with virtually any high-quality headphones.

INTRODUCING THE McINTOSH McAIRE

The McIntosh McAire integrated audio system delivers the legendary McIntosh look and sound quality in a compact size. Built in AirPlay® allows you to wirelessly stream music via your Wi-Fi network* from your Mac or PC based iTunes® library, as well as music stored on your iPad,®iPhone® or iPod touch.® Utilizing a USB cable, iPod classic and select iPod nanos can also be connected (see Specifications for complete list of compatible Apple devices).
Featuring two 4” woofers, two 2” midranges and two ¾” tweeters, the McAire can breathe new life into your digital library; depending on your previous iTunes playback device, the McAire may be like hearing your music again for the first time. To meet your room aesthetics or personal preference, the speaker grilles are easily removed to expose the midranges and tweeters. USB docking is available for all day playback and charging, with song selection and volume handled by the included remote control. Computers, TVs and other sources may be quickly connected for full range, high fidelity sound. The McAire’s space saving design and room filling sound makes this system versatile enough to accommodate the audio needs of any room in your home.

Benchmark releases the DAC2 HGC

Benchmark's DAC1 family of D/A converters have been the reference to which other converters have been compared. It is rare to find a converter review that does not draw comparisons to the DAC1. The DAC1 has been the best-selling 2-channel reference-quality converter and is in daily use at many of the finest recording studios and mastering rooms. DAC1 converters are also enjoyed by thousands of audiophiles. But, Benchmark has just raised the bar ... the DAC2 HGC now defines a new reference.
The DAC2 HGC outperforms the DAC1 in every respect. It has lower noise, lower distortion, improved accuracy, outstanding musical detail, precise stereo imaging, an advanced digital filter design, and a new high-sample-rate Asynchronous USB Audio interface. All inputs are fully isolated from interface jitter by Benchmark's new UltraLock2™ jitter attenuation system. Internal digital processing and conversion is 32-bits, and includes 3.5 dB of headroom above 0 dBFS. Four balanced 32-bit D/A converter are summed together for each balanced output. The performance of the DAC2 HGC exceeds the measurement limits of today's state-of-the art test equipment. Discover the analog sound of the DAC2 HGC.

DAC1 customers requested many new features which have been integrated into the new DAC2 HGC:
Sample Rate Display
Word Length Display
More Digital Inputs (5 total)
More Analog Inputs (2 total)
More Analog Outputs (3 total)
Digital Pass Through
Native DSD Conversion
Polarity Switch
Asynchronous USB 2.0
Driverless Asynchronous USB 1.1
Home Theater Bypass
Bi-Directional 12 Volt Trigger
Power Switch
Low Power Consumption

Fine Sounds (Quadrivio Group) acquired McIntosh Laboratory Inc.

Italian holding Quadrivio Group, owner of Sonus Faber, Wadia, Audio Research and Sumiko, acquired 100% of McIntosh Laboratory Inc.

MIT ANNOUNCES “Listening To The Science of Audio” and "The Sonic Benefits of High Resolution Audio" Seminar

Where: Rocky Mountain Audio Fest, Denver, CO
Venue: Denver Marriott Tech Center, Aspen Amphitheater
When: Saturday Oct 13 from 2:00 - 4:00 PM
Whether live or recorded, we all love to listen to music. What should we listen to and for? What engineering parameters are important to the realistic recreation of musical instruments and an accurate portrayal of the recording environment? What do studio engineers and equipment designers listen for as they create their products for us? How does it all relate back to the physics of music, and how does our perception affect our enjoyment of the music and our playback systems? Learn how listening plays a part in all stages of the process, and what should be listened for in our quest for musical enjoyment.
Topics include how harmonics and intervals make things sound the way they do, and tips from industry pros on how they listen critically to music during the recording and mastering process.

Panelists include:
Bruce and Timothy Brisson from Music Interface Technologies
Tony Weber, Cary Audio
Cookie Marenco, Blue Coast Records
Paul Stubblebine, Paul Stubblebine Mastering
Special Guest: Col Lowell E. Graham (ret.)
Col Lowell E. Graham has held numerous conducting positions to include that of the Commander and Conductor of the United States Air Force’s pre- mier musical organization in Washington, DC. As a USAF Colonel, he became the senior ranking musician in the Department of Defense. Graham has released recordings on five labels–Klavier, Telarc, Mark, Altissimo and Wilson–that have been recognized for both their artis- tic and sonic excellence. These recordings have been recognized in Stereophile’s“Records to Die-For” list, The Absolute Sound’s “The Super Disc List,” as well as one having won a Grammy.
To learn more about “Listening To The Science of Audio” and "The Sonic Benefits of High Resolution Audio" Seminar, please visit:
http://bit.ly/Listening_to_the_Science_of_Audio_RMAF_2012

Wilson Benesch Introduces the New Flagship
Loudspeaker: The Cardinal

Since its foundation in 1989, Wilson Benesch has consistently sought to push the boundaries of audio product design and manufacture. Today, Wilson Benesch designs are based upon strong scientific foundations, driven by a passionate commitment to attaining a more natural sound reproduction, irrespective of accepted paradigms.The Cardinal Loudspeaker is the most advanced loudspeaker ever developed by Wilson Benesch. Carbon fibre based, advanced composite systems deliver the ultimate performance and enable a shell structure with a massive air volume. These curved elements give the cabinet a complex internal geometry to counter standing waves and ensure a class leading signal to noise ratio that is second to none. The use of Advanced Materials Technology is a unique symbol of excellence that has defined the brand, setting it apart from every other company in the world. The Cardinal’s form and geometry is instantly recognisable as a Wilson Benesch design incorporating accents that have evolved from many predecessors including the A.C.T. One, The Bishop and The Chimera. The Cardinal’s footprint is more than twice that of the Chimera, standing 12-inches (1-ft) higher, affording the Cardinal a 65% larger air volume. Like the rest of the Geometry Series, The Cardinal is fitted with proprietary Tactic-II Drive units and the Semisphere Tweeter. Eighteen drive units in total deliver wide bandwidth sound from 25Hz to 35KHz. Mid-range frequencies are handled by two highly optimized upper and lower mid-range Tactic-II Drive Units. Meanwhile, the Isobaric Tactic formation makes a return in the Cardinal with four Tactic-II Drive Units deployed to achieve a new benchmark in dynamics and transient response. Inspired by nature and natural sound, the new Wilson Benesch flagship, “The Cardinal” is the summation of decades of work in the fields of cabinet, drive unit, and material innovation. This development has been evolutionary, building upon each and every success. Out of a passionate commitment to manufacturing, innovation and an adherence to the highest standards of craftsmanship, comes a product that could only emerge from one company.
Wilson Benesch: Built For You.

More informations in pdf:

Gato Audio PM-6

PM-6 - Floorstanding Performance Monitor
The Gato Audio PM Series arrives with modest fanfare, yet lofty ambitions. As the top of the line model in the all-new Gato Audio Performance Monitor range, the floorstanding PM-6 is, naturally, the object of great expectations. Drawing heavily on the extensive original research and experimentation in materials technologies, driver design and crossover configuration that underpin the elevated performance of the original, groundbreaking Gato Audio FM loudspeakers, the floorstanding PM-6 offers Gato Audio’s renowned musical involvement and emotional immersion at a more accessible price point (relatively speaking, of course). The Gato Audio PM Series drivers have been carefully selected from the very best Danish transducer designs available, prior to extensive modification and customization to meet our exacting demands in terms of measured performance, power handling, subjective sound quality as well as long-term thermal and mechanical stability. Although superficially similar to the mid/bass driver that the PM-6 shares with the stand-mount PM-2 (170 mm paper cone, low-loss suspension, powerful motor assembly with shorting rings), the second PM-6 woofer is, beneath the surface, a substantially different driver, optimised for added deep bass extension and the increased power handling capability required for true low frequency reproduction. The ability of a drive unit to react instantaneously to any change in the signal is a crucial factor in achieving uncompromising musical integrity. Unfortunately, conventional large, brute force woofer designs are slow to respond due to their increased mass. Inertia makes it harder to start and stop, blurring the leading edge and decay of bass transients that are crucial to the perceived realism of all styles of music. With an additional low frequency transducer at its disposal, the PM-6 takes the already impressive performance of its compact, stand-mount sibling to the next level with enhanced deep bass that plumbs the depths with authority, impact and force. Extended overlap between the cone drivers ensures a seamless, smooth transition at the lower crossover point and delivers potent deep bass with speed and precision that elude heavier, less agile woofers. Call it a 2 ½-way system, if you feel the need to stick a label on it. The dedicated, optimised deep bass driver offers superb, tight bass performance, assisting and relieving the bass/mid unit by moving substantial air volumes. Unwanted interaction between the cone drivers is effectively eliminated by isolating them in separate sub-enclosures to ensure optimum working conditions for each driver individually as well as perfect musical timing for all the drivers in unison. For details on the PM-6’s elaborate, tapered cabinet construction, ring radiator high frequency unit and upper bass/mid driver, see the presentation of PM-2. The Gato Audio PM-6 couples effectively to the floor via machined spikes mounted in the metal base. Coasters are included for protection of the floor. Subtle adjustments for ideal toe-in and tilt relative to the listening position will ensure consistent coverage of a wide listening area. Gato Audio PM-6 is available in handsome Walnut Satin, Glossy Black or Glossy White finish. Front grilles attach magnetically. Dual sets of gold-plated copper binding posts facilitate bi-wiring or bi-amping.
Technical stuff
Frequency response 34 Hz – 25kHz (-6dB)
Sensitivity (2,83v) 90dB
Recommended power amplifier 50 to 300Watts
Nominal impedance 4 ohm
Connectors Gold plated 4mm Plugs, bi-wire
Drivers
High Frequency 38mm ring radiator, powerful ferrite motor and optimised chamber
Mid & Low Frequency
170mm paper cone. low loss suspension, motor with shorting rings and optimised voice coil
Low Frequency 170mm paper cone. low loss suspension, motor with shorting rings
Weight 28 Kg / 61.73 lb

Samsung eyes global digital music market

To compete with Apple, Google and Amazon.com South Korea based Samsung Electronics is planning to acquire several mobile content providers, in a bid to compete in global digital music market with Apple, Google and Amazon.com. According to the South Korean firm, it has made its strong presence in TVs, smartphones, chips and display screens by packing internally sourced components into consumer gadgets, while its software has been a weak link. Samsung Media Solution Center senior vice president Kang Tae-jin was quoted by Reuters as saying that the firm is getting a message from the top to ramp up the software capability, and buy rather than build, if needed.
"Our focus on software is primarily aimed at driving hardware sales, rather than making money," Tae-jin said. "We have a full range of handsets in so many countries, and, to better market our products, we thought it's better to start our own software business" Samsung intends to create Music Hub operating on various consumer devices range from smartphones to Internet-enabled TVs and fridges in addition to monetising it by clipping up with an ad platform. "We have an internal target to break even in software. But, in general, selling content won't make much of a contribution to the bottom line," Kang said. "We see other new business opportunities associated with content." In a bid to counter US based iPhone maker Apple's expected launch of online streaming music service Samsung had acquired anonline music service mSpot and has developed its own Music Hub service in May 2012 to take on Google's Android Music Player,Apple's iTunes and Amazon's Cloud Player.

DEQX introduces Audiophile HDP-Express II

Speaker + Room Correction Introducing the Audiophile HDP-Express II Processor
DEQX (say it like DEX), manufacturers of leading-edge Preamp Processors providing speaker correction, crossover and room compensation, introduces the HDP-Express II for two-channel audiophiles looking to upgrade their system in a BIG way!
Master the Art of Timing
DEQX processors correct the distortion that all speakers make – electro-mechanical devices that they are – with room compensation an added extra. DEQX processors are unique in correcting frequency-response errors as other units do but also critical timing errors by adjusting thousands of frequency groups to arrive on time. The results are startling; two-channel and surround systems open up in a dramatic way when timing, phase and amplitude accuracy are restored to the speakers with judicious room compensation added. Everything becomes more physical, dynamic and precise, open and powerful making it much easier to be involved with your music and video.
Introducing the HDP-Express II
The HDP-Express II packs much of the new technology of our flagship HDP-4 Preamp Processor – now shipping! – in a new, extraordinarily cost-effective design. Like its predecessor the HDP-Express II provides DEQX Inline™ correction for your existing speakers, room and media. Plus it facilitates precise integration of one or a pair of subwoofers. The Express II also supports 2- or 3-way active speakers for those opting for DEQX XO™ Active configurations now or in the future. The Express II uses professional-grade components and power supplies while the HDP-4 is outfitted with audiophile-grade parts throughout adding a linear mains power supply. DEQX also kept the price of the Express II down by moving all front-panel controls to the Remote and deleting the HDP-4’s balanced analog and digital outputs for a simpler chassis.
The MSRP for theExpress II is $2,950 USD while the HDP-4remains $4,950 USD, both vailable now. Frankly it’s a huge value considering the many features of our premier HDP-4 – including the powerful Remote – found in the HDP-Express II.
Measure (and Correct) Speakers First Then the Room
Measuring the speakers first – rather than the room – our comprehensive DEQX-Cal™ software generates correction filters for proper phase, group-delay and frequency-response all of which varies with frequency! The HDP-4 and HDP-Express II actually correct the typically large timing errors that speakers always produce and returns frequency-response accuracy to that of the original recording. Only then does DEQX-Cal measure from the listening area for room correction. DEQX technology is unique! It corrects frequency-response and timing errors by adjusting thousands of frequency groups to one degree or another depending on your speakers’ measurements so they arrive at the correct time. The results are startling; two-channel and surround systems open up in a dramatic way when timing, phase and amplitude accuracy are restored to the speakers followed by judicious room compensation. Everything becomes more dynamic and precise, open powerful and palpable, making it much easier to get involved with music and video. How unique is DEQX? Traditional analog and digital EQ corrupts timing coherence around the frequencies they’re trying to equalize for volume. DEQX
Preamp Processors slow down on-time and early-arriving frequencies so slower frequencies catch up. That just can’t be done in the analog domain! DEQX uses real computing horsepower to make that happen with a 240-megaflop floating-point Digital Signal Processing Engine that essentially achieves zero distortion. DEQX XO Active speaker architecture features linear-phase crossovers driving separate amplifiers that drive individual speaker drivers. The steep and truly linear-phase crossovers dramatically improve resolution at normal and higher volume by limiting crossover and compression distortion without the usual phase errors introduced by traditional crossover filters. With each driver operating in its most linear range you’ll enjoy a more natural, coherent sound.
The Forensic Tone Control!
The DEQX Remote features Standby, Profile Select, Volume, Mute and Input Select, and what must be the world’s most powerful tone controls. Its three bands include Lo, Mid and Hi with up/down buttons for +/- 1dB adjustments (-9dB to +9dB). If you get lost there’s a ZERO button and another that clears all three bands of EQ. The bass band defaults to below 100Hz with a shallow slope, while the highs default to above 3kHz. However both frequency and slope are also user definable on the fly – there’s a table on the back of the remote to help you out.
While Lo and Hi settings are shelved, the Mid band is fully parametric and adjustable from the remote! Although it’s called the Mid-EQ channel because of its default midrange setting, its center frequency can be set in octaves from lowest bass to highest highs then fine-tuned by moving frequency up or down by semitones. Bandwidth ranges from one semitone (1/2th octave) to four octaves wide! The Forensic Tone Control is detailed enough to allow effective room EQ by ear alone as the controls provide instant adjustments that don’t overwhelm the sound like traditional tone controls or wind up sounding overly-detailed like some pro-world parametric EQ. Use the powerful Forensic Tone Control as a Media Corrector by simply choosing a Preference EQ for low listening levels, particular recordings or record labels, and save it to one of 99 presets for instant recall!
We’re DEQXperts!
Contact us for installations using our surprisingly affordable DEQXpert™ services. We can come to you or run the comprehensive DEQX Cal™ software for you on a secure, remote connection. You’ll need a simple USB link to your PC (or Windows on a Mac platform) using our calibrated microphone and a broadband connection. If you opt for a remote setup a DEQX Agent guides you through the process explaining as much or as little as you’d like. DEQX-Cal measures your existing system in fine detail and builds filters that correct the inevitable phase and balance problems that muddy the sound and collapses the sense that you’re inside the action. If you want to install yourself we can lend a hand online with tips and directions on getting the best from your setup. You can also talk to us about using DEQX Cal yourself… you can do it!
Moving Up
Our valued customers won’t be left out in the cold when we introduce new products. DEQX always offer generous trade-up specials. Feel free to email your unit’s serial number to [email protected] for a quote. The price depends on a number of factors including age, model and type. Of course you can always keep your HDP-Express or HDP-3 for surround speakers and add a HDP-Express II or HDP-4 for the front! You can set up with multiple DEQX Processors for a surround system supporting all configurations or just a single stereo unit correcting the left and right fronts for an impressive improvement at minimal cost. All DEQX correction files are compatible with these two new processors.
Calibration
If not working with a DEQX Agent in your home or studio and want to measure and correct the speakers and room yourself or via remote connection to a US Agent you’ll need either the Standard Calibration Kit or Reference Calibration Kit. For the highest performance speaker correction DEQX recommends the Reference Calibration Kit with Earthworks microphone. The Beringher microphone with the Standard Calibration Kit has a 20kHz top-end correction limit but the HDP-3 passes up to 40kHz. The HDP-4 also comes with DEQX Cal Software and Firmware.
The Method
Other “room correction devices” simply adjust amplitude response – uneven output at different frequencies – to offset room modes. But they don't address phase or group-delay timing issues that exist in all real-world speakers. DEQX works with whatever you’re listening to and results in startling improvements. Modestly-priced stand-mounted speakers to top-tier audiophile brands all sound better with DEQX!

Thiel at Rocky Mountain Audio Fest

In addition to our new CS2.7s being featured at our Denver metro dealer Denver Audio Designs room 9013 at this year's Rocky Mountain Audio Fest, CS3.7s will be at the business end of an all HEGEL system in room 8006. The festival kicks off on October 12-14 at the Denver Tech Center Marriott. We're very pleased that HEGEL has selected our flagship loudspeakers to showcase their fine electronics. Their H200 integrated amplifier captured last year's Product of the Year award from The Absolute Sound. This should prove a great combination. Also from The Absolute Sound, "...in reviewer AHC's view, the CS3.7 is a landmark design, making significant advances in coherence, transparency, and sonic detail, and in providing the advantages of true point-source imaging and soundstaging." Meet Kathy Gornik - THIEL Founder and President On Friday evening at the show, Kathy Gornik will participate in a panel moderated by Ken Kessler. Along with other notables, Dan D'Agostino, Peter McGrath, Roy Hall, and Michael Fremer, Kathy will discuss modern trends in high end audio and what it will take to bring a new generation of music lovers into the fold. Kathy and I really hope to see you at Rocky Mountain Audio Fest next month! It's a weekend of great fun and tons of music. Stay tuned over the next few weeks as we announce even more plans for the show.

Torus Power AVR2 for Performance, Protection, and Control

Torus Power premiered the AVR2 series at the recent CEDIA show in Indianapolis. Thanks to our many visitors who gave it a warm welcome. Shipments are starting in late September 2012. Torus Power products provide PERFORMANCE and PROTECTION for AV equipment.
Now, with AVR2 series, TORUS also provides CONTROL to connected components. The AVR2 series provides the most demanded features for power management in the AV custom installation market: ethernet connectivity, individual outlet zone control, power sequencing and scheduling, plus auto reboot function. AVR2 also features automatic voltage regulation to ensure equipment operates in the opimal range.Beyond those essential features, the AVR2 is the ultimate AV power conditioner, utilizing hefty Plitron toroidal transformers to provide complete isolation from the power grid, noise filtration, and high levels of instantaneous power. Protection against lightning strikes and similar surges is provided through advanced series mode surge suppression. North American models from 15A to 90A (1,800VA - 10,800VA) and in shelf mount, rack mount and wall mount footprints were introduced at CEDIA. International models will be introduced in January 2013. Also on display at CEDIA, and available for immediate shipment are Torus Power models in the AVR line, RM series, IS series, as well as our 100 Amp All-in-One Panel.

Aries-Cerat announces the new Contremo amplifier

AES Rome 2013

Good news: The 134th AES Convention will be held in Rome, from 4 to 7 May 2013!
All of us music lovers know that the devices we use to play it can work, ensuring every time "repeatable results" in your listening environment, because they follow some "standards", which are decided and then often perfected over time. For example, we could not play a vinyl disc with turntables and preamplifiers of different brands and with the maximum fidelity if someone had not decided all physical features, that is "standard", which a vinyl disc must have (disc size, recording speed, type of groove modulation, RIAA equalization, etc.), just as we could not play a CD, always with players of different brands, if someone else had not defined and standardized all the digital audio parameters and all the optical / mechanical parameters of a compact disc.
The standards are internationally ratified by the competent bodies (eg ISO, IEC, ITU, IEEE, ANSI, CEN, CENELEC, ETSI ...). But where the audio standards are discussed before to approve them (and later too, for any
revision)? One of these places, certainly the best known, is the AES (Audio Engineering Society). Here occur the
meetings and discussions on the various audio formats to study the proposed changes and their future developments, the protocols for interfacing with various devices, the analysis of the strong and critical points, the comparisons with the other existing similar formats, etc. and all of this is done as close as possible with a process of "peer review", that is, industry experts discuss each other and share information and the results of their individual and collective analysis.
This is the "Mission Statement" published on their website (http://www.aes.org/about/)
"The Audio Engineering Society was formed with the purpose of uniting persons performing professional services in the audio engineering field and its allied arts, of collecting, collating and disseminating scientific knowledge in the field of audio engineering and its allied arts, of advancing such science in both theoretical and practical applications, of preparing, publishing and distributing literature and periodicals relative to the foregoing purposes and policies."
The AES regularly organizes worldwide "conventions" open freely (registration required) to all interested people, not only to insiders. During the conventions scientific presentations are explained; there are various activities among students; workshops are organized; there are products exhibitions of audio brands also; furthermore, you
can meet many other audio enthusiast, but also famous people and designers of the audio world and exchange a few words with them.
The good news is that the first Italian convention (the 134th of AES) will be held next year in Rome from 4 to 7 May. The program has not yet been released, but for sure this will be a unique opportunity for all Italian audio
fans (not only technical) to "dive" in a very stimulating and educational climate, to realize what are the experts and the companies doing in the field, which are the trends for the near future... in other words, this is a very good
opportunity to touch with your hands "where" will the audio go in the coming years.
Absolutely recommended participation, especially to review some of our deeply held convictions (too many audiophiles believe that the maximum performance has already been achieved with the tubes, with mono, with vinyl etc. and that technology should stop at that point ... .).

For all the information about the Rome convention:
http://www.aes.org/events/134/
http://www.aesitalia.org/web/134convention

Stay tuned!

Musical Fidelity Headphones

EB-50 - Overview
Choosing a headphone is a very personal experience. Unlike conventional audio products, the user is locked into their own world and is able to lose themselves in the music whilst being completely isolated from the world outside. When designing our first headphone, great care was taken to ensure we created a product that would define our legendary innovation, finish and performance. To achieve this, we had to go back to the drawing board and create a product from the ground up, utilising new technology along the way. Crucial to the design of the EB-50 is its ruler-flat frequency response, excellent dynamic range and a deep, clear and fast bass. Ultimately, no matter what music is played through them, EB-50 will faithfully reproduce music as the artist intended, with a dynamic and inertia-free performance. As unique looking as they sound, only the finest materials available have been used to give the EB-50 the legendary Musical Fidelity fit and finish. The use of military-grade aluminium for the outer casing, for example, offers a strong yet anti-resonance body that is the ideal mounting for the capsule.
We think that we have re-set the mark by which IEM (in-ear monitors) will be judged. Not only will you be delighted with the performance, but you will have a pair of headphones you can use day in and day out, no matter what the music.

OPPO Announces Two New Blu-ray Player Models

MOUNTAIN VIEW, California – Sept 19, 2012 – After an award-winning streak of nearly two years by the acclaimed BDP-93 and BDP-95 Blu-ray players, OPPO Digital announced two new universal Blu-Ray Disc players today.
The BDP-103 and BDP-105 are premium universal Blu-ray Disc™ players that support Blu-ray, Blu-ray 3D, DVD-Video, DVD-Audio, Super Audio CD (SACD), HDCD, and CD formats. Additionally, the players feature three USB ports as well as wired and wireless networking to support popular video and audio file formats including AVCHD, MKV video, high-resolution WAV and FLAC music, and digital photos. The players provide access to popular entertainment network services including Netflix®, VUDU®, Film Fresh®, Pandora® and YouTube®, with more to come.
OPPO products are known for their excellent picture quality, and the BDP-103 and BDP-105 continue in this tradition. Using a two-step video processing approach that utilizes a custom dual-core SoC and the latest generation of Marvell’s Qdeo® video processor, the players deliver a stunning theatrical experience with true-to-life picture. Additional video processing features include 4K up-scaling, 2D-to-3D conversion, 1080p24Hz output, HDMI 1.4 with Deep Color, Source Direct output, and extensive picture control and enhancement options. Two HDMI outputs are provided, adding to the players’ versatility by allowing one output to be used for video and the other for audio, and even enabling the player to drive two displays at the same time.
On the audio side, both players support all of the high-resolution audio formats with bit-stream output and onboard decoding of Dolby® TrueHD and DTS-HD® Master Audio™. For SACD playback, users can choose between sending native DSD or converted PCM through the HDMI and analog outputs depending on their preference and equipment compatibility. The BDP-103 provides a configurable 7.1ch analog output that can be used in stereo, 5.1ch or 7.1ch mode. The BDP-105 adds audiophile-grade components including an analog output section sporting two ESS Sabre32 Reference DACs, a newly designed Toroidal linear power supply, dedicated stereo outputs with both RCA and XLR balanced connections, and a headphone amplifier connected directly to the DAC. Last but not least, customers have always asked for ways to take further advantage of the excellent audio and video processing functions provided by the OPPO players, and the new players answer this request by adding two HDMI input ports, one on the front and one on the back, with the front HDMI input doubling as a Mobile High-definition Link (MHL®) input. Users can connect external devices such as set-top boxes, network streaming devices, and even mobile phones to take advantage of the players’ video processing power. The BDP-105 takes this a step further by adding an asynchronous USB DAC input that supports the USB Audio 2.0 standard, along with additional coaxial and optical digital inputs. Users can stream bit-perfect audio from their computer to the BDP-105 without worrying about the jitter performance of their computer’s master clock thanks to the USB DAC’s asynchronous clock mode. The BDP-103 and BDP-105 are designed for user convenience and installation flexibility. Beyond the included back-lit remote control, the players can be controlled via its IR IN, RS-232 control ports, and mobile phone control apps. Users will appreciate the quick startup and fast disc loading performance of these players. Accented with a heavy gauge brushed aluminum front panel, dimmable display and a sturdy chassis, the players fit well with any home theater environment or sound system.
Although the exact launch date has not yet been set, OPPO expects to release the BDP-103 in October and the BDP-105 by the end of 2012.
* Trademarks mentioned in this document are the property of their respective owners.

New Wilson Alexia video

UnitiLite, from Naim

Today we launched our new slimline all-in-one player at the Top Audio Video Show in Milan, Italy. The UnitiLite takes all of the features of the original award-winning NaimUniti and distils them into a single elegant enclosure that puts true all-in-one functionality and Naim performance within reach of a wider audience. UnitiLite comprises a CD player, a high-resolution (up to 32bit/192kHz) digital streamer, internet radio (DAB/FM comes as an optional extra), a front panel USB port for playback of iPhone, iPod and MP3 players and several digital inputs to handle audio from sources like your set top box or games console.

Despite its slimline design the UnitiLite packs a heavyweight punch when it comes to sound quality. It borrows technology and design features used in high end Naim electronics to deliver supreme performance. Its DAC chip is similar to that used in the high-end NDX network player and its 50W integrated amplifier benefits from the expertise of our engineers who have years of experience in designing world-beating amplifiers.

Introducing the Thiel CS 2.7

THIEL’s new three-way floorstanding Coherent Source Loudspeaker represents a stunning new benchmark in acoustical performance for loudspeakers. Gorgeous new industrial design complements THIEL’s legendary time and phase coherence technologies including revolutionary driver design that deliver the most detailed, natural, and musically lifelike reproduction of the original performance possible. Close your eyes, listen for yourself, and be there. The CS2.7 incorporates new technologies developed for our flagship CS3.7 loudspeaker including a state-of-the-art coaxial/coincident driver. The midrange element itself has perfectly neutral response to 20kHz - an upper range specification seldom attained even by tweeters. Deep, fast, and tight bass emanates from an all THIEL-designed and built 8-inch woofer supported by a passive radiator that provides the bass extension of a tuned port with none of the breathy "chuffing noises" associated with vented enclosure designs. The result is authoritative bass response boasting the detail and articulation of a sealed cabinet.

The newly designed CS2.7 enclosure wraps THIEL's unique driver designs in a very attractive, ultra-rigid bent plywood laminated with your choice of hardwood veneer. THIEL's non-resonant enclosure preserves critical detail during playback--more so than even prior generations of the THIEL CS2 series speakers which had already excelled in this regard.

M2TECH JOPLIN 384/32 ADC

High-speed asynchronous USB connection. Single-ended stereo input on RCA, S/PDIF, AES/EBU and Toslink digital outputs. Auxiliary S/PDIF input for bridging. Selectable input gain 0dB to 65dB. Wide choice of equalization curves in digital domain.
Various filter options (anti-rumble, anti-hiss, MPX). Remote control. Encased in a stylish aluminium case. Joplin is a high performance A/D converter capable of handing up to 384kHz sampling rates and 32 bits resolution (USB output). It features a high speed asynchronous USB input based on the hiFace Two technology, further developped to allow for higher sampling rates.
A comprehensive output set (S/PDIF on RCA, AES/EBU on XLR and optical on Toslink) provide great connection versatility. Also, an auxiliary S/PDIF digital input on RCA allows for re-using the digital connection used for the Joplin for a digital source, as well as for redirecting the output from a digital source to a computer which is not provided with an S/PDIF input. Despite its price, Joplin encopasses a leading edge technology for data handling and processing. An FPGA is used to provide a seamless connection between the ADC IC and the USB port (both operating in master mode for low jitter reasons), as well as for a large number of important clock and data routing tasks, not to mention the VU-meter drive. The analog stage is based on the best PGA (Programmable Gain Amplifier) available on the market, and allows for gain as high as 65dB (equivalment to 0.95mVrms for 0dBFS). A comprehensive set of equalization curves can be selected, to accommodate all phono formats ever used from 1925 to the present day, plus eq curves for reel-to-reel tapes with straight output from the playback head. The small size and stylish look of the Joplin allow for a uninvasive placement in every living space.

Zu-Audio: introducing Druid MK.V

Druid Returning 10 / 2012

"Our first loudspeaker model. Druid is a high-efficiency, high-output, 16 ohm floor-standing loudspeaker. It features our top-shelf full-range driver (Zu103ND/G1-16) designed to perform without having to use tone-robbing crossover or filter elements; is complete with full implementation of ZuGriewe driver/box/room acoustic loading technology; and shares the same tweeter driver as our Dominance and Definition Mk.IV speakers, the sensational Radian 850—which not only provides the treble resolution and sparkle from 8kHz and up, but takes advantage of its ten pounds of mass and eight inches of diameter to operate as a stressed member of the cabinet, significantly improving baffle damping, strength and system performance."

Druid Quick Specs
Height: 50" [127cm]
Footprint: 12.75 x 12.75" [32.4 x 32.4cm]
Weight: 80 pounds [37kg] each
Bandwidth: 35–20kHz
Efficiency: 101dB
SPL 1W/1m
Impedance: 16 ohm
Power Amp Range: 2–200 watt
Made In Ogden, Utah—U.S.A.

dCS announces Vivaldi

"The dCS Vivaldi Digital Playback System - a new four box digital system which represents the pinnacle of our ‘no compromise' approach to product design and sets a new standard for the future of digital audio playback."

More informations here: dCS Vivaldi

New XLO UltraPLUS Cables

XLO is on the move again! New XLOUltraPLUS cables are updated replacements for the original and popularUltra™ Series. They’re modeled on the previous and very popularReference™ series using XLO’s hum-bucking Field Balanced™“exoskeleton” winding geometry with all-PTFE dielectrics, corestructures and jacketing.

UltraPLUS incorporates many of the innovationsand technologies that made XLO famous. UltraPLUS sets a new standard foraffordable high-performance cables.
Rather than six-nines copper UltraPLUSis composed of single-filament, solid-core PC-OCC wrapped in an sleek blackand purple jacket. XLO significantly improved the already lowself-inductance of the hand-terminated 24k direct gold-plated RCA andproprietary XLR connectors. No one buys cable on technical specifications,they just want their systems to sound better! UltraPLUS let’s you hearmore deeply and feel more connected to music than ever before! Andeveryone appreciates their competitive pricing for this level of performance.

Bel Canto

Bel Canto introduces three new Asynchronous USB Link Converters; the entry-level mLink moving-on-up uLink and top-of-the-line REFLink. These new USB Link Converters isolate the music signal – and clocks –from the harsh, noisy electrical environments of computers and music servers.

mLink
You have a TON of downloaded and ripped music on hard disk and you’re putting together a compact, economical audio system or trying to make the one you have sound better… a lot better. Bel Canto has you covered with the mLink USB converter. It uses Dual Low-Noise Clocks that are 10-to-100 times lower noise than typical oscillators! The compact mLink takes its power from the USB connection applying filtering and multiple dedicated supplies and outputs SPDIF on a BNC connector. Its compact dimensions make it easy to place and you’ll be agog at the difference for the better.

uLink
uLink audiophiles are much like mLinkers but with somewhat better-developed and higher-resolution systems. As the clocks are isolated from the audio signal they control the sound and the uLink steps up with Dual Ultra-Low Phase-Noise Clocks, Ultra-Low defining the difference between the mLink and uLink’s clocks. The uLink’s oscillators are more costly and deliver even lower jitter and noise which enhances the Bel Canto Jaw-Dropping Effect! Your friends will come to see if you’re okay after it happens the first time.

REFLink
The REFLink, John Stronczer at his engineering best. Audiophiles are a savvy lot assembling sophisticated computer-based systems because of convenience... and better sound of course. REFLinkers have already ripped– or had ripped for them – a huge collection of music to external hard drives and probably use Audirvana Plus, Pure Music or Amarra with iTunes on a MAC or JRiver Media Center on a PC for bit-perfect playback.
The ST Fiber output is convenient for anyone with a Bel Canto 3.5VB Mk II or you can run SPDIF on BNC or AES/EBU to any other DAC for an experience you won’t forget! Immediate results, no waiting! The REFLink features Dual Ultra-Low
Phase-Noise Clocks and on ST Fiber Optic achieves triple galvanic isolation. The REFLink is a masterpiece of engineering in a full AC-powered e.One chassis using the same LNS (Low Noise Supply) as the DAC2.5. As lower noise allows clocks to dominate the sound, the LNS dramatically lowers line noise with multiple stages of isolated power that drive individual sections of the circuit. The output clocks and line-drivers are powered by a separate low-noise power supply.

Wilson Audio: announcing Alexia

"It's not often that Wilson Audio announces an all-new loudspeaker, so when we do, it is always surrounded by a sense of occasion. Announcing Alexia. In terms of price point, it is positioned between Sasha W/P and MAXX. Alexia's form factor is similar to the Sasha W/P, even sharing its room-friendly footprint. But Alexia is much more ambitious and complex, inheriting much of its technology and overall sonic personality from Wilson's flagship, the Alexandria XLF".

Cardas Clarifier App

"We are proud to introduce the new Cardas Clarifier App for iPhone. The Cardas Clarifier delivers a unique experience that you can use to impress your friends and make your enemies green with envy. Running this app periodically will degauss, and thereby Clarify, the sound of your headphones, earbuds, or stereo system. The Clarifying process works by nulling magnetic eddies in speaker pole pieces, crossovers, and other places in the system that, through time and use, get "gaussed up". Mechanical stresses in diaphragms and other moving parts are also relieved - simultaneously relieving stress in the listener. The Cardas Frequency Sweep Record, developed by George Cardas, has been an audiophile staple for more than 25 years. First released on vinyl, then adapted into Ayre's "Irrational But Efficacious" CD, it has been used hundreds of thousands of times to bring Clarity and added listening pleasure to music lovers around the world. While still available in these aforementioned formats, the new Cardas Clarifier App makes this process available in this latest and portable form. Not to mention the most economical. The Cardas Clarifier is simple to use:
Step 1 - Play your favorite song through your listening system (earphones,
earbuds, stereo system, etc.)
Step 2 - "Clarify" the system by running the Clarifier's Long Sweep (the
Short Sweep is for periodic maintenance).
Step 3 - Listen to the same song through the system.
Cardas Audio is proud to release this app to the world to truly help the listener connect to the music".

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